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Showing posts from August 29, 2021

"We thought making friends was the best thing. We learned your words and songs and stories, but you didn't want to hear ours."

  Zinc work, East Risdon Bay. August 2021. That Deadman Dance   by Kim Scott A masterpiece. In Bobby Wabalanginy, an intelligent and optimistic soul, Scott conjures up a narrator who will live long in the memory. Bobby, whose real name remains unpronounceable to the invaders throughout the novel, means "all of us playing together", a bitter irony given the course of events. Bobby is a marvel. Bright and eager for knowledge, he is a natural showman. These capacities allow him to shine in both his indigenous world and the newcomers to his land. Part clown, part shaman, the book does a magnificent job of naturally showing the reader the centrality of songs, music, and dance to the Noongar people of southwestern Western Australia. Bobby learns to speak, read and write in the white man's language, but a reoccurring motif throughout is the fundamental disconnect in understanding between the two cultures. His native culture is just as complex but more physical, present and eleme

“I can’t say for certain why the three of us are friends. Sure, who can answer a question like that. I suppose there aren’t many children along our road, so there isn’t much choice, and I don’t give it a lot of thought. We carry on as we are, and there’s plenty of fun to be had. That’s not to say that I couldn’t make nicer or better friends in another place, but how would I ever know the difference.”

  Pole in the sky, Geilston Bay. August 2021. You Have to Make Your Own Fun Around Here   by Frances Macken You Have to Make Your Own Fun Around Here  strikes me as a book that is something of a fusion of  Derry Girls  and  Normal People , with a jarring murder/ disappearance side plot that is left unreconciled. As such, it did not quite hit the mark for me. In our narrator, the drifting Katie, along with best (!) friends, the toxic Evelyn and meek Maeve, we follow the unlikely trio. as they try to adjust from childhood to life in adulthood. For a story that centres on this cramped friendship, it is striking the extent to which these girls don't really like each other. I note that some reviewers took issue with the lack of resolution to the Katie and Evelyn dynamic, but the lacklustre death of their relationship seemed a natural course to me. What bothered me more was the seeming abandonment of the disappearance of Pamela Cooney. A number of clues/ red herrings are sprinkled in the

“Ol' Bill's bein' all cagey because it's hard for blokes to admit a woman might choose death over putting up with more of their bullshit.”

  Samurai, Hobart. August 2021. All Our Shimmering Skies   by Trent Dalton I have no problem with a protagonist being a precocious child, but there is a point where precociousness becomes aggravating, and young Molly Hook hit that point for me early on. In part, this is because I did not believe in her. Given the trauma and neglect of her upbringing - told in unyieldingly graphic detail - she is remarkably erudite and thoughtful. There is a difference between "taking a strength-based approach" to building a character and "taking the piss". In terms of other characters, Greta and Yukio were fine, albeit thinly sketched. My main issue concerns the construction of Aubrey. Dalton wants to have his cake and eat it when it comes to Molly's cruel uncle. Dalton frames Aubrey as evil personified, making some effort to explain how he came to be this way. We have many (many) pages expended on how the traumatising childhood of young Aubrey has programmed him with hate. Hate

"…in Queanbeyan, Helen Kalasoudas couldn’t break even; down in Mildura, Jim Melemenis got himself into trouble with the Italians; Mick Papacostas and his brothers were playing too much dice in Camperdown…"

Setting sun, Geilston Bay. August 2021.   Lucky's   by Andrew Pippos Another book that chooses to advance its story irregularly. Dynamically shifting timelines are so typical these days that I am unsure whether the word irregular fits anymore! We primarily dwell in 2002, where the unmoored Emily leaves her failing marriage in the UK to set about researching and writing a  New Yorker  article about the rise and fall of a now-defunct Australian chain of family restaurants, one that ended in a mass shooting. Shadowing this journey is the mystery of her long-dead father's interest in what seems to be nothing more than a little bit of trivia on the other side of the world. From here, we jump back first to 1944 for a while, then back twenty years previously as we get our heads around the Greek diaspora. Between zipping back and forth to 2002, we spend a bit of time in the 1940s and 1950s on the emergence of the  Lucky's  empire and dissolution of a marriage. Moreover, we have the