Even dead trees carry life. The Hastings Caves State Reserve, Southern Tasmania. April 2012. Three quite different books finished this week, an eclectic mix very much more accident than design on my behalf. The first is the latest from one of my favourite contemporary writers, This Is Life by Dan Rhodes. A complicated and convoluted novel that interweaves the story of a young art student, a (seemingly) abandoned baby, a women so beautiful that all of her ex-boyfriends (and their mothers) tend to kill themselves or stalk her, the upstanding proprietor of Paris’ last genuine cinéma érotique (who has a particular fondness for sophisticated ‘girl-on-girl’ films and a lesbian daughter), a pair of Japanese tourists and their hapless translator, the world’s most acerbic art critic and perhaps the novel's finest creation, the mysterious performance artist Le Machine whose global smash-hit production Life has returned to his home town of Paris. Rhodes's novels have always ten...