Saturday, September 06, 2008

Come, gentle Spring! ethereal mildness, come.


So here we are, springtime in Tasmania again. Spring has truly sprung folks. The lambs are out and frolicking. The cockatoos are boisterous of a morning. The magpies are swooping the early morning dog walkers. The lads on the bus are nervously switching off their i-pods and trying to talk to the girls. The wallabies have turned feral and have taken to attacking poorly monikered children. Footballers whose teams have missed the finals are turning up somewhat under the weather in nightdresses with foolishly large phalluses attached to them.

Ahh Spring! Glorious Spring! It’s a fine time of year to be alive.

Friday, September 05, 2008

Murderous Marsupials Mercilessly Maul Minor

Long-time readers of this blog will know of my commitment to alerting the world of dangerous creatures. Whether it is Argentinian terror-gnomes, Nazi squirrels or sexually aggressive seals, I pride myself in raising global awareness of specific threats.

So, naturally my ears pricked up when I heard this tale from Queensland. With what appears to be no recourse to hyperbole whatsoever, colourful local identity Alwyn "Bones" Bailey has described a terrifying attack on his nine year old dirt magnet.

Bones told an excited press corps that his presence alone saved the life of son Morgan, who would have been mauled to death by what may have been zombie herbivores, driven by a lust for blood.

"It's deadset serious. Someone should get a gun and shoot the buggers," Mr Bailey argued. "They're not just friendly, cute little wallabies any more – they're killers!"

"I had to belt him [the rampaging wallaby] across the face twice, then he came at me – he had his claws up, shaping up like a little boxing man." [Arturo Gatti? Kostya Tszyu?]

No word on whether younger son, Bodine, was traumatised in the scintillating stoush, although I am willing to be that he will be by his name.

Bonus points must go to that wonderful journal of record, the Herald Sun for their headline:

Killer wallaby fear after boy, nine, attacked.


[A grateful nod to the Defamer Australia website, for the heads up. The lads and I will be on the lookout, as there are a number of rogue wallabies in the Geilston Bay area.]


Here is a photo of Henry and I battling a pair of brutal killers in July of last year. In truth, we were lucky to escape with our lives.

In football everything is complicated by the presence of the opposite team


The end of winter is always a sad time for those of us who follow poorly performing football teams. I am not a huge fan of Mr Jean-Paul Sartre, the man responsible for the above quote, but fans of the Essendon Football Club can only but agree. So, Henry and I bade farewell to the Bombers, and paid homage to another wasted season by visiting the Henry Fitzgerald McCracken Football and Cricket Arena over the road. Ezra did not accompany us, as he needed a lie down after all of the eating, sleeping and globetrotting he has been doing of late. Henry and I did manage to expand on out plans for the Ezra Leo Fitzgerald McCracken Grandstand and Indoor Aquatic Centre that we are lobbying our local member to help fund.

Our vision is to eventually to put Geilston Bay into the position to host the Commonwealth Games, or, failing that, the Gay Games. It very much be the ticket to put our neck of the woods on the map!


While meandering around the oval, I did manage to prod Henry in the direction of a decent Father’s Day present for Sunday. I figure that with two kiddies now, I should get double the presents. I am thinking about a flash camera, a trip to Pilisvörösvár, or a whizz bang new computer. To be honest though, I will be happy with anything more than another kick in the head.

Maybe Ezra will have some ideas…

Thursday, September 04, 2008

All the news fit to ignore

Via The Debatable Land, this is how I like 'celeb gossip news' dealt with!

The 42 year old French Justice Minister Rachida Dati is up the duff. In typically French fashion (which always amuses me for a country with a Catholic majority), Dati has brushed aside journalist's demands for THE TRUTH, and says that she has no intention of revealing the father's identity and offers this comment that I like very much:
I have a very complicated private life, and that's where I draw the line with the press. I won't have anything to say on that subject.

Good in her, I say. Quite frankly, I'm mighty sick of hearing the press bleating on about other people's private lives as if it is meant to mean something to people. The bulk of gossip that seems to constitute 'news' these days has (or should have) little relevance to whether or not I vote for someone, go to see their movie, buy their record and so on. It's just all so boring...

The difference between literature and journalism is that journalism is unreadable and literature is not read.


Here we have Geilston Bay just this very morning. It is a pleasant morning, and the news that Madonna and her husband are fighting has done little to dampen our spirits here in Tasmania. If it did, I guess we could turn to Paul McCartney’s new tale of love for consolation. Likewise, the fact that Elton John had a dig at Lily Allen, and that Lily Allen (a few sheets to the wind, I’d say) had a go back at an awards ceremony somewhere not here overnight didn’t rock our boat too much. Nor did Brendan Fevola’s ‘mad Monday’ appearance in a pink nightie and monster dildo worry us. And although I have some sympathy for David Duchovny’s recent ‘illness’ (too much sex? The poor, wretched bugger!), I’m happy to leave him to it. I feel no need to comment on Bristol Palin’s luck, let alone her ‘proud redneck’ lover. I’ll be honest with you too, the next time that I hear Stephanie Rice and Eamon Sullivan, I’m kind of hoping that it will involve crocodiles. The same goes for you, Amy Winehouse. So you’ve been feeling a bit poorly, have you? Anyway, who are you again and why am I supposed to care? When Ms Winehouse croaks, maybe the obituary will inform me. You see, none of this is any of my business, and I couldn’t actually care less.

However, the good folks of the morning news obviously felt that these earth shattering events worthy of news headlines. So Henry and I are now much more informed on these profound matters. Oh, and I know that Princess Mary is Tasmanian at all, and she does seem pleasant enough, but I don’t need a news flash every time that she farts.

Wednesday, September 03, 2008

The first method for estimating the intelligence of a ruler is to look at the men he has around him


Given that Jen is in Sydney for the day and most of tomorrow, and is 1056 kilometers (656 miles) away from her little man (Henry, that is), for the first time, I felt I'd best put up a picture of him to try and make her feel a bit better.

So here he is, a true little Aussie battler™ with a Vegemite-smeared dial, collapsed in a heap after thirteen-hundred laps of the kitchen bench on his trike. He very much won me over when, upon putting him to bed for a nap he asked me for "MORE!" I demanded back, "more what?", thinking that he meant Smarties and reminding him of the absent word "please".

His reply?

More kisses please!

He can kick me in the head as much as he likes if he keeps that up.

Gerald


Given that Winter has come and gone, I better post this photograph before it becomes even less relevant to Hobart today. Unlike many, I quite like Winter. One of the better things about Tasmania is that we have clearly differentiated seasons, and a nice cold Winter brings a lot to a year long table.

Today is just Henry and I doing the bachelor pad thing. Unfortunately Jen and Ezra have had to zip up to Sydney to attend the funeral of one Gerald Fitzgerald, her grandfather and a lovely fellow to boot. Gerald had not been well for a while, but was as sprightly as ever and as sharp as a tack until the very end at the ripe old age of 86.

So to the Fitzgerald clan of Sydney I can only offer the above photograph and this poem of somebody else's in his memory.

Five Bells
Kenneth Slessor

Time that is moved by little fidget wheels
Is not my time, the flood that does not flow.
Between the double and the single bell
Of a ship's hour, between a round of bells
From the dark warship riding there below,
I have lived many lives, and this one life
Of Joe, long dead, who lives between five bells.

Deep and dissolving verticals of light
Ferry the falls of moonshine down. Five bells
Coldly rung out in a machine's voice. Night and water
Pour to one rip of darkness, the Harbour floats
In the air, the Cross hangs upside-down in water.

Why do I think of you, dead man, why thieve
These profitless lodgings from the flukes of thought
Anchored in Time? You have gone from earth,
Gone even from the meaning of a name;
Yet something's there, yet something forms its lips
And hits and cries against the ports of space,
Beating their sides to make its fury heard.

Are you shouting at me, dead man, squeezing your face
In agonies of speech on speechless panes?
Cry louder, beat the windows, bawl your name!

But I hear nothing, nothing...only bells,
Five bells, the bumpkin calculus of Time.
Your echoes die, your voice is dowsed by Life,
There's not a mouth can fly the pygmy strait -
Nothing except the memory of some bones
Long shoved away, and sucked away, in mud;
And unimportant things you might have done,
Or once I thought you did; but you forgot,
And all have now forgotten - looks and words
And slops of beer; your coat with buttons off,
Your gaunt chin and pricked eye, and raging tales
Of Irish kings and English perfidy,
And dirtier perfidy of publicans
Groaning to God from Darlinghurst.
Five bells.

Then I saw the road, I heard the thunder
Tumble, and felt the talons of the rain
The night we came to Moorebank in slab-dark,
So dark you bore no body, had no face,
But a sheer voice that rattled out of air
(As now you'd cry if I could break the glass),
A voice that spoke beside me in the bush,
Loud for a breath or bitten off by wind,
Of Milton, melons, and the Rights of Man,
And blowing flutes, and how Tahitian girls
Are brown and angry-tongued, and Sydney girls
Are white and angry-tongued, or so you'd found.
But all I heard was words that didn't join
So Milton became melons, melons girls,
And fifty mouths, it seemed, were out that night,
And in each tree an Ear was bending down,
Or something that had just run, gone behind the grass,
When blank and bone-white, like a maniac's thought,
The naphtha-flash of lightning slit the sky,
Knifing the dark with deathly photographs.
There's not so many with so poor a purse
Or fierce a need, must fare by night like that,
Five miles in darkness on a country track,
But when you do, that's what you think.
Five bells.

In Melbourne, your appetite had gone,
Your angers too; they had been leeched away
By the soft archery of summer rains
And the sponge-paws of wetness, the slow damp
That stuck the leaves of living, snailed the mind,
And showed your bones, that had been sharp with rage,
The sodden ectasies of rectitude.
I thought of what you'd written in faint ink,
Your journal with the sawn-off lock, that stayed behind
With other things you left, all without use,
All without meaning now, except a sign
That someone had been living who now was dead:
"At Labassa. Room 6 x 8
On top of the tower; because of this, very dark
And cold in winter. Everything has been stowed
Into this room - 500 books all shapes
And colours, dealt across the floor
And over sills and on the laps of chairs;
Guns, photoes of many differant things
And differant curioes that I obtained..."

In Sydney, by the spent aquarium-flare
Of penny gaslight on pink wallpaper,
We argued about blowing up the world,
But you were living backward, so each night
You crept a moment closer to the breast,
And they were living, all of them, those frames
And shapes of flesh that had perplexed your youth,
And most your father, the old man gone blind,
With fingers always round a fiddle's neck,
That graveyard mason whose fair monuments
And tablets cut with dreams of piety
Rest on the bosoms of a thousand men
Staked bone by bone, in quiet astonishment
At cargoes they had never thought to bear,
These funeral-cakes of sweet and sculptured stone.

Where have you gone? The tide is over you,
The turn of midnight water's over you,
As Time is over you, and mystery,
And memory, the flood that does not flow.
You have no suburb, like those easier dead
In private berths of dissolution laid -
The tide goes over, the waves ride over you
And let their shadows down like shining hair,
But they are Water; and the sea-pinks bend
Like lilies in your teeth, but they are Weed;
And you are only part of an Idea.
I felt the wet push its black thumb-balls in,
The night you died, I felt your eardrums crack,
And the short agony, the longer dream,
The Nothing that was neither long nor short;
But I was bound, and could not go that way,
But I was blind, and could not feel your hand.
If I could find an answer, could only find
Your meaning, or could say why you were here
Who now are gone, what purpose gave you breath
Or seized it back, might I not hear your voice?

I looked out my window in the dark
At waves with diamond quills and combs of light
That arched their mackerel-backs and smacked the sand
In the moon's drench, that straight enormous glaze,
And ships far off asleep, and Harbour-buoys
Tossing their fireballs wearily each to each,
And tried to hear your voice, but all I heard
Was a boat's whistle, and the scraping squeal
Of seabirds' voices far away, and bells,
Five bells. Five bells coldly ringing out.
Five bells.

Tuesday, September 02, 2008

When love and skill work together, expect a masterpiece


This photograph is of my favourite youngest son, Ezra. when taking this, I had in mind Jürgen Vollmer’s iconic portraits of a very young pop group called the Beatles in Hamburg. I know that the whole light/dark effect on the face is clichéd, but it’s only clichéd because it looks cool. One day I may get around to scanning some of my old prints of dozens and dozens of stuffed toys photographed in this style. I don’t think that they be nearly as lovely as this though.

Patience, n. A minor form of despair, disguised as a virtue.


Here is my attempt at classical portraiture, with my favourite oldest son Henry in his Essendon jumper as the suitably sullen subject. I do like how he has co-operated with the artist (me): right hand gripping the wooden seat; left arm resting gently on the side table; thoughtfully and solemnly gazing off into the middle distance.

Although I have opted to display it as a colour print (to show off the footy jumper), this photograph could perhaps also work in sepia. This style reflects the technical challenges associated with 30-second exposure times and painterly aesthetic nineteenth century photography. Subjects were generally seated against plain backgrounds and lit with the soft light of an overhead window and whatever else could be reflected with mirrors. Thus, the dominant image of a sullen and still ‘olden days’ was born!

How on Earth anyone managed to photograph small children is beyond me. Perhaps it had something to do with the ease with which parents could whip their children with birch rods?

I know that a lot of keen photographers visit, any ideas on how it might have been done?

What passing-bells for these who die as cattle?


Continuing along the theme of black and white, and buildings in Hobart, here is a photograph that I took in the Elizabeth Street Bus Mall this morning. I am not sure how I feel about it. I think that I like it, but it seems a bit solemn and sombre.

I think that this is because of the book that I had just finished on the way in had left me in that frame of mind. The book is Casualty Figures: How Five Men Survived the First World War, by Michele Barrett. The book is not about the millions who died in the First World War; but rather it explores the experiences of countless numbers of men who lived as ‘long-term casualties’. That is, not those of profound physical trauma, but of the desolate trauma of the slaughter that they managed to escape alive.

To do this, Barrett explores the lives of five ordinary personnel who endured war, how they dealt with its horrors, both during and long after the war's end. Through this, she attempts to shed light on the nature of the psychological damage of war. I am not altogether convinced that she has been wholly successful, but it really does leave you with a profound sense of the impact of war on those ‘lucky’ to emerge physically unscathed. Even more profound is the context that each of these men returned during a time that psychological trauma was only grudgingly acknowledged, and assistance to respond to that was non-existent. Although the figures are impossible to pin down, suicide rates, alcoholism, homelessness, familial breakdown and so on were all significantly more prevalent in the experiences of veterans than those who did not serve.

Although the book perhaps asks more than it answers, it is well worth a look. I did want to include something that I personally found very moving though, arising out of the last ‘case study’ of the book, Captain Lawrence Gameson, a medical officer in the Field Artillery. A remarkable character, Gameson is notable in how he maintained a great sense of humanity despite his experiences. Driven to identify and appropriately bury the dead, he routinely took it upon himself to do what must have been a gruesome task.

One way of identifying victims was simply to rifle through their pockets for letters. The correspondence that moved me was found on a fellow killed in October 1916, in the village of Le Sars. Gameson came across the body of a British soldier, not of his division, unburied and decomposing. In the act of identifying the dead man, he was driven to copy down and keep the letters for many years after the war. The first was from the dead man’s mother:
Dear Son John
Just a few lines for your birthday. I have just been reading thy letter on to myself. I feel a bit dull today Sunday. I would like to post you a nice present but am getting a pair of stockings knit for though. John many a cry when I lay down for thou. I am such a bad letter writer. So no more. Short and sweet. God be with us until we meet again.
Love and many kisses,
Mother.
Gameson wrote of this one, “even had I not copied the letter one would have remembered the iambic music of the remarkable ‘John many a cry when I lay down for thou’, read for the first time beside John’s pitiful body.’

In John’s breast pocket there was a torn photograph of his young daughter and a letter from his wife:
God knows I have many a weary night and day for I never go to sleep but I see you somewhere or I am talking to you for my mind is so much upset for it is now we know how much we love each other but we will just have to hope for the best and trust you will come safely through it all. May God send you safely through this terrible war safe, from your own dear annie. XXXXXX. Goodnight. Love to Daddy from his Bubbles. (I hold her hand, but she wriggles too much)

In Gameson’s diary underneath this passage he records: “what in God’s name must the grand total be of ours and the enemy’s – if this one man had three generations to mourn him.

And when I read this (and now typing it out), I really am close to tears. I think about Jen, Henry and Ezra. And I think about my Grandfather, who’s father died in that very same war, on that very same front, leaving behind a wife and two children, one (my Grandfather) of whom he never set eyes upon.

So now I am a bit down. I think that I might post some photos of smiling kiddies later on to lift the spirits.

Monday, September 01, 2008

One man that has a mind and knows it can always beat ten men who haven't and don't


So here I am, back at work again, this time in a suit. You know what that means: another VERY IMPORTANT MEETING. Have I mentioned how much I like meetings before?

But enough of that, I have a photograph to comment upon. I took this snap this morning on the way to the bus stop. If you look through the gums at the front, and ignore the mountain at the back, you should be able to see a bunch of white things in some trees in the middle distance along the bottom left of the picture. That, my friends, is a rag tag group of cockatoos that hang around these parts for a good portion of the year. I’ve shown them grazing about on the grass before, but they seem to like to hang about in the trees this early (this was taken at 7:20 am).

Excuse the brevity of this one, for unfortunately I have a meeting to prepare for!

Sunday, August 31, 2008

Two great enemies of politics: indifference to human suffering and the passionate quest for certainty in matters which are essentially political


Politics can be an exciting, boring, uplifting, depressing and downright nasty business. It always has been. For these reasons I have made it the focus of my study for an awfully long time, but also for these reasons I more often than not try to avoid following it at all costs.

I was going to do this whole positive bit on 'politics' being essentially about the conciliation and compromise of innumerable issues in the pursuit of maintaining peace, harmony and (hopefully) prosperity that is (roughly) 'just/fair', but my heart just isn't in it.

Against my better judgment, I decided have a look around at some of the reaction to Sarah Palin being chosen as McCain's Vice-President nomination, but the discussion is just so split along partisan lines that I just can't be bothered. There are an awful lot of hateful people out there who seem to confuse 'righteous anger' with 'coherent argument'. My free time at the moment is WAY too valuable to waste time on it.

I really can't stress enough how depressing it is to find that so many (so very, very many) commentators out there appear to offer little more than vitriol, unsupported by anything more than a certain kind of smug, self-satisfied (albeit seemingly ill-informed) anger. And that's it. No more. For all the talk of hope and future at the top, there's a lot bitterness and resentment down below.

If distaste/dislike/hate/loathing is what drives someone, and ideological certainty (of whatever persuasion) underwrites an individual's identity (and often their very being), they are unlikely to read, listen and (most of all) consider conflicting positions. That's not good. It's not good for a lot of reasons, but - it appears to me - there is one reason why above all others.

For me, 'good' politics is essentially a discourse. It is a process of discussion. It should produces progress out of dialogue. Its outcomes should preserve both freedom and stability by bringing everybody together to the bargaining table. In order for successful resolutions, this has to be underwitten by open minds and mutual respect.

This should be obvious. People disagree about stuff. All sorts of stuff. The everyday business of politics is nothing more than the peaceful negotiation among conflicting interests. The enemy of this is ideological dogmatism (of all forms), ideological determinism (of all forms), rightious anger (of all forms), and do you know what else? A lack of respect that manifests itself in bloody-minded rudeness.

So instead of a lofty discussion of principles, policy and the future of the world's sole superpower, all I'm seeing is a bunch of rude people scrapping over a bone.

And it isn't pretty.

Someone wake me when it's over.