“The real tragedy of our postcolonial world is not that the majority of people had no say in whether or not they wanted this new world; rather, it is that the majority have not been given the tools to negotiate this new world.”
Facing the waves, Binalong Bay, Tasmania January 2021.
Half of a Yellow Sun by Chimamanda Ngozi Adichie
The novel's opening is an opaque and intricate
introduction to both a large cast of characters and Nigerian social and
political complexities. Once the domestic world starts to settle down (in
conjunction with the heightening political tensions), the story positively
rockets along.
Adichie constructs a rich and vibrant sense of time and place
and draws the reader along with horror and excitement at the formation and eventual destruction of the Biafran state. The indifference of the outside
world and the wilful culpability of the (former) British colonial masters
bristles off the page.
Deftly shifting backwards and forwards in time, this is a
beautifully constructed book. There is an adroitness in handling such weighty
themes, and the righteous anger forms naturally as only high art manages. While
there is a danger that such a topic can drift into a polemic of backstory,
events, dates and atrocities, Half of a Yellow Sun never feels like a lecture.
Indeed, the world always feels real and consequential. The
fate of the central characters – the crimes done to and by them – will resonate
long after you’ve finished. While not flawless, the writing occasionally comes
across as pedestrian and drifts into the melodramatic; on the whole, this is a
beautiful novel.
⭐ ⭐ ⭐ ⭐ 1/2
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