Skip to main content

"…in Queanbeyan, Helen Kalasoudas couldn’t break even; down in Mildura, Jim Melemenis got himself into trouble with the Italians; Mick Papacostas and his brothers were playing too much dice in Camperdown…"

Setting sun, Geilston Bay. August 2021.

 Lucky's by Andrew Pippos


Another book that chooses to advance its story irregularly. Dynamically shifting timelines are so typical these days that I am unsure whether the word irregular fits anymore!

We primarily dwell in 2002, where the unmoored Emily leaves her failing marriage in the UK to set about researching and writing a New Yorker article about the rise and fall of a now-defunct Australian chain of family restaurants, one that ended in a mass shooting. Shadowing this journey is the mystery of her long-dead father's interest in what seems to be nothing more than a little bit of trivia on the other side of the world.

From here, we jump back first to 1944 for a while, then back twenty years previously as we get our heads around the Greek diaspora. Between zipping back and forth to 2002, we spend a bit of time in the 1940s and 1950s on the emergence of the Lucky's empire and dissolution of a marriage. Moreover, we have the mystery of Emily's father revealed (and reburied).

It is odd that the mass shooting felt a little tacked on and somewhat immaterial to the core events of the piece. It feels like it should be more critical to the narrative. While the story's gravitational pull - from both past and present - builds in tension leading to the massacre in the early-1990s, I found it significantly less compelling than the present-day arc involving the titular character's run on Wheel of Fortune.

I did enjoy the book's exploration of the lives of migrants (and the milk bar culture of the 50s and 60s) in the immediate post-war period. It would likely make for a colourful and engaging mini-series. Thumbs up, albeit slighter than I expected.

⭐ ⭐ ⭐
 

Comments

Popular posts from this blog

Hold me now, oh hold me now, until this hour has gone around. And I'm gone on the rising tide, to face Van Dieman's Land

Theme Thursday again, and this one is rather easy. I am Tasmanian, you see, and aside from being all around general geniuses - as I have amply described previously - we are also very familiar with the concept of WATER. Tasmania is the ONLY island state of an ISLAND continent. That means, we're surrounded by WATER. That should help explain why I take so many photographs of water . Tasmania was for a long time the place where the British (an island race terrified of water) sent their poor people most vile and horrid criminals. The sort of folk who would face the stark choice of a death sentence , or transportation to the other end of the world. Their catalogue of crimes is horrifying : stealing bread assault stealing gentlemen's handkerchiefs drunken assault being poor affray ladies being overly friendly with gentlemen for money hitting people having a drink and a laugh public drunkenness being Irish Fenian terrorist activities being Catholic religious subversion. ...

Something unpleasant is coming when men are anxious to tell the truth.

This is the moon. Have I mentioned how much I adore the zoom on my camera? It's Theme Thursday you see, and after last week's limp effort, I have been thinking about how I might redeem myself. Then I clicked on the topic and discover that it was BUTTON. We've been hearing a lot about the moon in the past couple of weeks. Apparently some fellas went up there and played golf and what-not forty-odd years ago. The desire to get to the moon, however, was not simply about enhancing opportunities for Meg and Mog titles and skirting local planning by-laws in the construction of new and innovative golf courses. No, all of your Sputniks , "One small steps" and freeze dried ice cream was about one thing , and one thing only : MAD Now, I don't mean mad in terms of "bloke breaks record for number of scorpions he can get up his bum", no I mean MAD as in Mutual assured destruction . When I was a young man you see, there was a lot of talk about the type of m...

Ah, Joe, you never knew the whole of it...

I still have the robot on the job. Here you can see the Tasmanian Museum and Art Gallery . And here is a poem: Soliloquy for One Dead Bruce Dawe Ah, no, Joe, you never knew the whole of it, the whistling which is only the wind in the chimney's smoking belly, the footsteps on the muddy path that are always somebody else's. I think of your limbs down there, softly becoming mineral, the life of grasses, and the old love of you thrusts the tears up into my eyes, with the family aware and looking everywhere else. Sometimes when summer is over the land, when the heat quickens the deaf timbers, and birds are thick in the plumbs again, my heart sickens, Joe, calling for the water of your voice and the gone agony of your nearness. I try hard to forget, saying: If God wills, it must be so, because of His goodness, because- but the grasshopper memory leaps in the long thicket, knowing no ease. Ah, Joe, you never knew the whole of it... I like Bruce Dawe. He just my be my favourite Austral...